“Five Nights at Freddy’s 2” Is Fun But Flawed, and Frenetic

1 min read

Review

Asteria Rating
4/10
Overall
4.0/10

Five Nights at Freddy’s 2 is a film that survives largely on the goodwill of its fanbase. There’s a certain goofy charm to its chaos, and the nostalgia factor undeniably provides a boost—but beyond that, the movie struggles to stand on its own. At its best, it’s a fun, occasionally spooky ride. At its worst, it’s a disjointed tangle of lore, half-baked character work, and tonal inconsistency.

On the positive side, the movie leans heavily into its game-inspired premise, bringing the Toy animatronics and the Marionette to life in ways that will satisfy those who’ve pored over FNAF theories for years. The practical puppetry and CGI blend more smoothly than expected, even if some designs—particularly the Marionette’s exaggerated forms—veer into unintentional comedy. There are clever nods, retcons, and cameos sprinkled throughout, and for dedicated fans, these moments may well be the highlight.

But even the most enthusiastic viewer will struggle to overlook the screenplay’s issues. The story is stuffed with lore yet strangely hollow, rushing through developments and relying too often on clunky exposition. Dialogue swings between serviceable and downright painful, leaving the cast little to work with. Josh Hutcherson’s Mike feels especially underserved, reduced to a thinly written archetype rather than a compelling protagonist. Elizabeth Lail fares better, delivering one of the film’s few genuinely eerie sequences and showing potential to evolve into a proper franchise standout.

The supporting cast sees mixed results. Piper Rubio remains charming as Abby but is given little complexity, and despite strong voice talent, most animatronic lines fade from memory. Freddy Carter’s villainous turn could have been chilling with tighter writing, but instead collapses under the weight of overwrought dialogue and lore baggage. Once again, Matthew Lillard’s brief appearance as William Afton injects some needed energy, while Skeet Ulrich is unfortunately a missed opportunity—great casting underserved by minimal screen time.

Ultimately, Five Nights at Freddy’s 2 functions best as gateway horror and nostalgia-fueled entertainment. It’s messy, uneven, and often more funny than frightening, but it delivers enough spectacle to keep fans engaged. Still, a franchise with this much potential deserves more than mild amusement and scattered fanservice.

Here’s hoping that the third installment takes the lessons learned from this outing and delivers something more focused, more frightening, and more emotionally engaging. The pieces are all there—now it’s time to put them together.

A natural-born writer and poet, Atanaria’s pen dances with a rhythm that only she knows. Her passion for the unspoken, the mysterious, and the forgotten led her to create The Nerdy Virginias—a publication that would later evolve into Asteria, a testament to her love for the hidden corners of culture. Here, she explores the fringes of society, where subcultures thrive away from the blinding lights of the mainstream.

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