Simon West’s Old Guy is a staggering misfire of an action-comedy, failing at both its attempts at humor and thrills. In a genre that has seen an uptick in aging assassin stories,
Josh Ruben’s “Heart Eyes” isn’t just a movie—it’s a brilliantly executed love letter to both romantic comedies and slasher films, seamlessly weaving the two into a bloody, hilarious, and unexpectedly charming spectacle.
Netflix’s Troll is a thrilling blend of Nordic mythology, action, and breathtaking Scandinavian landscapes, making it one of the most compelling folklore-inspired films in recent years. Directed by Roar Uthaug, who had
Anna Novion’s Le Théorème de Marguerite (2023) is a cinematic alchemy of logic and lyricism, a film that transforms the esoteric world of advanced mathematics into a deeply human story of resilience.
Leigh Whannell has done it again. After reinventing The Invisible Man with chilling effectiveness, he now brings his signature blend of horror and emotional depth to Wolf Man. This reimagining of the
Kraven the Hunter is one of the most recent Marvel films to hit theaters, and it has certainly generated a lot of differing opinions among viewers and critics alike. To say the least,
Companion (2025) transcends its genre trappings to become a Lacanian mirror for the post-human condition, interrogating not just AI ethics but the ontological instability of all identity in an age of algorithmic
Netflix’s La Dolce Villa is a heartwarming romantic comedy that blends love, family, and self-discovery against the picturesque backdrop of Italy. Just in time for Valentine’s Day, this delightful film offers a
In an era dominated by postmodern horror deconstructions and relentless franchise sequels, The Invitation emerges as a deliberate throwback to the atmospheric grandeur of mid-20th-century Gothic cinema. Directed by Jessica M. Thompson
The recent passing of David Lynch marks the end of an era for cinema, one that thrived on the surreal, the unsettling, and the profoundly poetic. Lynch was not merely a filmmaker;