British band Tropic Gold return with their latest EP, Sick To Death Of Everything—a ferocious and electrifying fusion of alternative metal, pop, and electronic influences. This release defies conventions, offering a collection of eight high-energy tracks plus an atmospheric intro, each packed with unrelenting intensity. While the songs may be concise—ranging from just one to three minutes—they leave an undeniable impact, proving that brevity can be just as powerful as sprawling compositions.

From the very first note, Sick To Death Of Everything grips its listeners and refuses to let go. Tropic Gold masterfully craft an intricate balance between sheer aggression and melodic finesse. Jacob Parris’ vocals are the driving force behind this emotional rollercoaster, effortlessly shifting between visceral screams and haunting clean passages. His dynamic delivery amplifies the intensity of the record, making each track feel deeply personal and immersive.

The instrumental work is equally compelling. Joshua Lee’s guitar riffs create an ominous and captivating atmosphere, while Amy Barnett’s drumming is nothing short of explosive. The rhythmic section shines particularly in the bridges, expertly building tension before dropping into devastating breakdowns. Each track pulsates with a raw energy that keeps the listener engaged, merging the band’s metalcore roots with modern electronic flourishes that elevate the sonic experience to new heights.

What makes Sick To Death Of Everything truly remarkable is Tropic Gold’s ability to push the boundaries of the metalcore genre. Their seamless incorporation of ambient and dance elements adds layers of depth, making this EP a refreshing take on heavy music. Fans of Bring Me The Horizon, Bad Omens, and I Prevail will find a kindred spirit in Tropic Gold’s sound.

This EP is not just a collection of songs—it’s an emotional outpouring. The band openly channels their personal experiences into their lyrics, transforming this release into a cathartic journey for both themselves and their audience. The result is a record that feels as much like a therapy session as it does a musical experience.

With Sick To Death Of Everything, Tropic Gold establish themselves as one of the most exciting acts in modern metal. This EP is an absolute must-listen for anyone craving a powerful blend of raw emotion, cinematic drama, and crushing heaviness. Tropic Gold have not only proven their versatility but also cemented their place as innovators within the genre.

Interview with Tropic Gold – March 2025

ATANARIA: First of all, thanks for the interview! Can you introduce us to how you started the band?

TROPIC GOLD: Joshua and Jacob played shows together in separate bands when they were 18 or 19. Fast forward to 2017, and Jacob’s band was looking for a new guitarist—that’s when Joshua joined. As we started writing together, the sound evolved into something different from what the band originally was, leading to the birth of Tropic Gold. Amy then joined us as our drummer at the start of 2025.

ATANARIA: Can you explain the birth and genesis of this EP?

TROPIC GOLD: This EP was really born from allowing ourselves to be much more vulnerable with our lyrics and moving away from songwriting patterns we had stuck to for a long time. We’re huge advocates of using music as a way to share our personal experiences, and this EP quickly turned into something that felt like a therapy session—a kind of musical diary.

ATANARIA: How would you describe your music?

TROPIC GOLD: Our style is a combination of all the music we love. We’re passionate about ambient, dance, metal, and so many other genres, and it wouldn’t feel true to ourselves if we didn’t incorporate elements of those sounds into our music. It’s not something we consciously do—it just happens naturally through our influences. If we want to be more dynamic, we don’t limit ourselves to just a certain type of guitar tone or vocal style. We love pushing the boundaries of metalcore to see how far we can take it.

ATANARIA: What are the main themes you like to sing about? What’s crucially important to you in your lyrics?

TROPIC GOLD: The themes in our lyrics come naturally from whatever we’re experiencing at the time. SICK TO DEATH OF EVERYTHING as a title pretty much sums up the period we wrote this EP in. Even though each song stands on its own, they all come together in a way that feels like a public therapy session.

ATANARIA: In terms of influences, I think names like Bad Omens and Bring Me The Horizon are part of the list. Can you tell us more about who inspires you when it comes to songwriting and lyrics?

TROPIC GOLD: Bad Omens and Bring Me The Horizon are always going to be names we’re associated with, which is fine by us given how incredible those bands are. There’s always going to be a natural crossover when an English guy is singing over metal and electronic elements.

However, our day-to-day inspirations come from the most random places. We have a group chat where we send anything that sparks an idea—whether it’s a song from a commercial, a certain tempo, a phrase, or even something from a non-music-related video. We’ve opened ourselves up to inspiration from anywhere, which pushes us to explore new sounds with every release.

ATANARIA: Usually, an EP is just one part of a larger cycle that includes a full-length album and touring. What are your plans for 2025?

TROPIC GOLD: We have some things in the works that haven’t been announced yet, but this is shaping up to be our most exciting year so far. We’re playing some incredible festivals, including Burn It Down, RADAR, and the very first Shreddler Festival. One of the shows we’re most excited about is our debut headline show on May 8 at The Black Heart in London—it’s selling faster than we expected!

ATANARIA: Tell us about the songwriting process for the new EP.

TROPIC GOLD: Every track starts with an instrumental baseline that’s packed with so many layers that it almost feels overcrowded. From there, we strip out what doesn’t need to be there—sometimes, those removed parts evolve into entirely new sections or even new songs.

For example, SWEAT is actually a remix of a song that was originally meant for the EP. We played the original version live a few times before pulling it apart and transforming it into the third track on the record.

When it comes to writing lyrics, we usually put on separate headphones and write down anything and everything that comes to mind. A theme naturally starts to emerge from that, and then we begin shaping a narrative based on what we instinctively wrote.

ATANARIA: Can you share some of your best memories from live performances?

TROPIC GOLD: 2000 Trees 2024 was a standout moment for us. It was the biggest stage and crowd we’ve ever played for, and despite some technical difficulties, it was an unforgettable festival. Ending the night on stage with Alyx Holcombe for her DJ set was the perfect way to close it out—it was an absolute blinder.

ATANARIA: Finally, who are Tropic Gold? How would you define yourselves? This is the most important question for us and a true Asteria tradition!

TROPIC GOLD: Tropic Gold is, at its core, an outlet for whatever we need to express. Our overarching goal is to keep growing this wave of connection we’re seeing with people who share similar experiences. We’re not afraid to open up about what we’ve been through, and if our music can help someone realize they’re not alone, then that’s all that really matters to us.