Atanaria
Cory Marks returns with his third full-length album, Sorry for Nothing, and it delivers a thrilling blend of rock and country that is both refreshing and engaging. With an impressive ability to meld genres, Marks showcases his talent not just as a musician but as a storyteller, making this collection a standout in contemporary music.
The album kicks off with the electrifying “(Make My) Country Rock,” featuring notable names like Sully Erna, Travis Tritt, and Mick Mars, immediately setting the tone for an exhilarating ride. Following this energetic opener, the track “Guilty” dives into darker themes with hedonistic lyrics that echo the best of Nickelback’s style, showcasing Marks’ knack for heavy rock.
As the album unfolds, the country elements come to the forefront in “Whiskey for Sale.” This track is a masterclass in songwriting, seamlessly blending country verses with a bombastic rock chorus, capturing the emotional decline of the narrator in a way that resonates deeply. Marks’ ability to evoke feelings through his music truly shines here.
One of the album’s highlights, “1949,” is a poignant tribute to family, telling a touching story about a grandfather’s cherished memories. The sentimentality of the lyrics, paired with a classic country sound reminiscent of Bruce Springsteen, is genuinely moving. In stark contrast, the following track “Lit Up” unleashes pure rock energy, exemplifying Marks’ skill in genre-switching that keeps listeners on their toes.
While every track is noteworthy, “Drunk When I’m High” introduces Caribbean influences, providing a fun vibe perfect for summer days. The single “Fast As I Can” captures the thrill of longing and adventure in a way that feels universally relatable. Additionally, the heavier version of “(Make My) Country Rock – Harder” adds an aggressive edge that fans will appreciate.
However, the album isn’t without minor drawbacks. The initial trio of rock-heavy tracks followed by a sequence of mellower country songs feels slightly disjointed. A more interspersed arrangement could enhance the listening experience. Moreover, the recurring theme of drinking across several tracks, while relatable, does come off as a bit repetitive.
Ultimately, Sorry for Nothing stands as an album that encapsulates what Bon Jovi aimed for with Lost Highway, but with a modern twist that makes it uniquely Cory Marks. This is an album that invites repeated listens, and its infectious melodies and heartfelt storytelling solidify its place as a contender for album of the year. Cory Marks has certainly set the stage for future releases, and fans eagerly await what’s next.
