AtanariaEpisode 3 of Only Murders in the Building Season 4, titled “Two for the Road,” injects some much-needed levity into what has thus far been a darker season. With the murder of Sazz still unresolved, the trio of Mabel, Charles, and Oliver continue their investigation, though the arrival of a Hollywood cast complicates matters. This episode strikes a perfect balance between humor and tension, offering solid laughs and deepening the mystery surrounding Sazz’s death.
The arrival of star-studded guest actors Eva Longoria, Eugene Levy, and Zach Galifianakis injects new energy into the show, as they shadow the main trio to research their roles for a movie. Their comedic interference, especially Eva’s dynamic with Mabel, provides the episode’s central humor. The tension between the Hollywood stars and the trio’s investigation plays out beautifully, especially in the scenes where Eva’s attempts to embody “Mah-belle” drive Mabel up the wall. This “battle of the Mabels” leads to some great comedy, but also adds layers to Mabel’s character as we see her frustration in balancing the investigation with these unwelcome distractions.
Meanwhile, the investigation leads to new discoveries but with no immediate breakthroughs. The scenes with Mabel and Eva visiting Rudy, the “Christmas All The Time Guy,” are fun but slightly odd. Rudy’s eccentric backstory — he fakes his Christmas obsession for fame — adds a quirky twist, though it feels more like a humorous detour than a major step forward in solving Sazz’s murder.
On the other hand, Charles and Eugene’s team-up delivers some of the episode’s best laughs. Their over-the-top plan to confirm Vince’s pinkeye culminates in a hilarious physical altercation, showcasing the show’s ability to balance mystery with slapstick comedy. The touching resolution of Charles and Vince’s supposed rivalry adds a heartfelt moment amidst the chaos, though the scratched-out photo they find hints at darker secrets still lurking.
Oliver’s storyline with Zach Galifianakis continues the trend of humorous miscommunication. While Oliver desperately seeks Zach’s approval, Zach’s behind-the-back critique provides a bittersweet moment. Howard’s defense of Oliver’s quirks, followed by Zach’s decision to “embrace” the role, shows the softer, more vulnerable side of Oliver’s character, offering a blend of humor and empathy.
The episode takes a darker turn toward the end when the trio stumbles upon a mysterious voice on a ham radio, warning them to stop investigating or risk becoming the next victims. This chilling revelation sets up the stakes for the episodes ahead, reminding viewers that danger is looming despite the episode’s comedic moments.
Overall, “Two for the Road” is a solid entry in Season 4. The interplay between the Hollywood actors and the main trio provides great laughs, while the investigation continues to unravel in intriguing ways. Though Sazz’s murder is still unsolved, the episode excels in blending humor, mystery, and heart, keeping the audience hooked for what’s to come.
