Trash Boat’s Heaven Can Wait: Mosh to the End of the World

October 3, 2024
1 min read

Trash Boat’s new album Heaven Can Wait is a raw reflection of modern-day anxieties, channeled into aggressive, mosh-worthy soundscapes. Building on the polished edge of their previous record, Don’t You Feel Amazing?, this fourth album is heavier, thicker, and pulsating with frustration. With a focus on releasing emotion rather than finding solutions, the St Albans quintet has crafted an album that invites listeners to embrace the chaos.

Standout tracks like “filthy/RIGHTEOUS” and “The Drip” embody the band’s defiant spirit, addressing societal issues with fierce riffs and sharp lyrics. Frontman Tobi Duncan’s biting commentary, especially in “The Drip,” critiques capitalism with sardonic wit, while the energetic “Delusions Of Grandeur” cleverly combines punchy aggression with humor.

Yet, Heaven Can Wait is not without its rough patches. Tracks like “Liar Liar” and “Be Someone” come off a bit too abrasive and over-processed, respectively. However, when Trash Boat slows things down, they strike gold. “Lazy” closes the album with a surprisingly atmospheric feel, while “Better Than Yesterday” offers a contemplative shift. The real high point, though, is “Are You Ready Now?,” a dynamic track filled with tension, dread, and an unforgettable scream from Duncan.

Despite its minor missteps, Heaven Can Wait showcases Trash Boat at their most resolute, determined to face the bleakness of the world head-on while encouraging fans to do the same—with a grin and a mosh pit.

A natural-born writer and poet, Atanaria’s pen dances with a rhythm that only she knows. Her passion for the unspoken, the mysterious, and the forgotten led her to create The Nerdy Virginias—a publication that would later evolve into Asteria, a testament to her love for the hidden corners of culture. Here, she explores the fringes of society, where subcultures thrive away from the blinding lights of the mainstream.

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Through meticulously crafted articles that delve into the intricacies of cultural phenomena, Asteria Magazine seeks to reshape the landscape of cultural news. It is a sanctuary for those who yearn to explore the depths of the human experience, a platform where the written word is not just information, but a transformative experience. Here, journalism is reimagined as an art form, a medium through which the world is not merely reported but understood, felt, and redefined.

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