Atanaria
In Episode 4 of Only Murders in the Building Season 4, titled “The Stunt Man,” the show recaptures its mystery-focused energy after the previous filler episode, bringing new twists and revelations that propel the murder investigation forward. The episode begins with Oliver, played by Martin Short, facing personal struggles with his relationship with Loretta (Meryl Streep). Suspecting her of infidelity, Oliver’s jealousy leads him to create a fake Instagram account, an act of insecurity that Mabel (Selena Gomez) quickly chastises. This subplot adds humor and emotional depth as Oliver grapples with his fear of failed relationships, highlighting both the comedic and vulnerable sides of his character.
Meanwhile, Mabel continues to uncover strange secrets about the West Tower residents, debunking her previous theory that they were part of a cult. Instead, she discovers an illegal subletting scheme orchestrated by the building’s eccentric tenants. This revelation, while less sinister than anticipated, keeps the audience intrigued as Mabel navigates these oddball characters who, for now, seem more quirky than criminal. The mystery surrounding the West Tower adds layers to the central plot, hinting that there may be more going on behind the scenes than meets the eye.
The episode also delves deeper into Charles’ (Steve Martin) emotional arc as he continues to grapple with the guilt over Sazz’s murder. His trip to the stuntman bar, Concussions, offers an amusing yet poignant look at the unglamorous side of showbiz. The introduction of Ben’s stunt double, Glen Stubbins (Paul Rudd), provides a humorous moment where the trio mistakes him for Ben Glenroy. Yet, despite the levity, the scene reveals key information about Sazz’s time at the bar, pushing the investigation forward while giving Charles more emotional weight as he mourns his friend.
The episode’s climax is both touching and absurd, with Charles agreeing to a “stuntman’s funeral” in honor of Sazz, where he literally stands in for her as part of a bizarre ritual. While this leads to physical comedy with fake bottles smashing over Charles’ head, it’s also a symbolic act of closure for him, allowing him to reckon with his grief. However, the comedic tone abruptly shifts in the final moments, as the trio stumbles upon Bev Melon (Molly Shannon) holding a gun, setting up a suspenseful cliffhanger that leaves the audience eager for the next episode.
Overall, Episode 4 successfully balances humor, heart, and intrigue, moving the murder mystery forward while deepening the characters’ emotional journeys. The return to form is a reminder of the show’s strengths in weaving together personal stakes with comedic twists, all while keeping the murder investigation at the center.
