AtanariaLissy Trullie is an American singer-songwriter and musician whose entry into the music scene marked her as a distinctive voice, blending elements of rock, punk, and pop. Born Elizabeth McChesney, her early life in Washington, D.C. laid the foundation for her eclectic musical taste. Growing up in an environment rich in diverse musical influences, she found herself gravitating towards artists who merged different styles, which would eventually shape her own unique sound.
Her intrinsic passion for music became evident during her formative years. Trullie moved to New York City for college, a place renowned for its vibrant and diverse music scene, which played a critical role in her artistic development. The pulsating energy of New York’s clubs and live music venues provided the perfect backdrop for her burgeoning talent and keen interest in blending various musical genres.
In the early stages of her career, Lissy Trullie initially gained recognition as part of the city’s underground scene. Influenced by the likes of Blondie, Patti Smith, and The Velvet Underground, she quickly made a name for herself with her raw, unpolished performances that captivated audiences. Her sound, characterized by a gritty rock edge seamlessly blended with electronic undertones and catchy pop melodies, stood out in an era dominated by genre-specific music.
Trullie’s debut EP, released under her own name, showcased her ability to straddle the lines of various musical styles while providing a fresh, contemporary twist. This eclectic mix not only garnered her a loyal following but also set the stage for what would be a promising and dynamic musical career. Her early foray into the music industry demonstrated a penchant for innovation and an unwillingness to conform to traditional genre boundaries, an attitude that continues to define her work today.
Debut and Breakthrough: Self-Taught Learner and ‘Self-Taught Learner’ EP
In 2009, Lissy Trullie made a significant impact on the music industry with the release of her debut EP, Self-Taught Learner. A blend of rock and electronic elements marked this collection of tracks, distinguishing Trullie’s sound from the plethora of emerging artists at the time. The EP quickly garnered attention for its refreshing combination of gritty rock undertones with a modern twist, making Lissy Trullie a name to watch in the music scene.
The title track, “Self-Taught Learner,” exemplifies Trullie’s distinctive vocal delivery and knack for catchy melodies, while songs like “Boy Boy” and “Money” showcase her ability to merge punk influences with pop sensibilities. The raw energy and emotional depth conveyed in these tracks resonated with a broad audience, helping her build a dedicated fanbase.
Critical reception of the Self-Taught Learner EP was largely positive, with praise directed at Trullie’s unique style and authentic voice. Noted music outlets highlighted her potential and the fresh perspective she brought to the rock and electronic genres. Following the release, Trullie was invited to perform at various high-profile events and festivals, further solidifying her presence in the industry. Notable performances included appearances at South by Southwest (SXSW) and opening for prominent bands, which significantly boosted her visibility and credibility as an artist.
Themes of self-discovery, resilience, and personal growth permeate the tracks of the EP, reflecting Trullie’s own journey as a self-taught musician breaking into a competitive field. Her early works on this EP encapsulate the boldness and innovation that would continue to characterize her career. The infectious energy and honest storytelling found in Self-Taught Learner laid a solid foundation for what was to come, marking the beginning of a vibrant musical journey for Lissy Trullie.
My 2012 Review of Lissy Trullie’s First Full-Length Album And Interview
There is something deeper than you could ever imagine in Lissy Trullie’s voice.
There is the dark, cold, and overwhelming grip of Ian Curtis.
There is a stunning intensity behind every cry.
There is a sixth sense between abstraction and extreme colors, somewhat like a Rothko painting.
There is the omniscient light that Mekas never found.
There is a redhead who gives real meaning to the words “wonder,” “magnificence,” and “love.”
There are words that compose songs, sumptuous demigods.
There is the soul of someone who could have been the improbable child of Edie Sedgwick and Jack Kerouac.
And there are Olympian prodigies, amazements, and feelings in every second of every piece.
Listening to Lissy Trullie will probably give you everything you’ve always hoped to experience in music. Think of John Cale’s writings, remember the powerful singing of Courtney Love in 1994, and imagine being drawn into the depths of a beam of light, instant magnificence. Mixing all these elements will result in two things: a surreal portrait and the ultimate definition of Lissy Trullie’s exquisite soul. And we have finally been blessed with a full album this month, simply titled “Lissy Trullie,” which is pure pleasure. We already spotted Lissy’s talent as a songwriter in her first EP “Self-Taught Learner” when we discovered extraordinary tracks like “Boy, Boy,” “She Said,” or “Self-Taught Learner.” I’m not ashamed to say that I still listen to this EP daily; it truly gives a new identity to female rock ‘n’ roll. We’ve had Patti Smith, Debbie Harry, Joan Jett, Kathleen Hanna, Allison Wolfe, Courtney Love, and more recently Juliette Lewis and Brody Dalle, but now comes a truly unique woman into the picture.
I must admit that I fell in love with Lissy Trullie almost instantly: it was that moment, it was THE ONE. I remember it very clearly: I played the song “Boy, Boy,” and she stole my heart. Seeing Lissy Trullie and her band on stage confirms this talent: an innate presence, a sublime voice, and a dazzling charisma. The brand-new album brings stunning songs to Lissy Trullie’s repertoire that are divinely well-written and intensely composed. The rhythm is perfect and serves the overall atmosphere exceptionally well. Produced by John Hill and David Sitek, the album was recorded in Los Angeles and clearly affirms its punk foundation. This is a detail that cannot be overlooked, in my opinion, even though the music is mostly defined as “rock ‘n’ roll” or “pop.” I would define this album as punk/pop/rock because it brings with it some delicious classic rock sounds from the sixties/seventies. This very quirky, unusual, and eccentric sound gives Lissy Trullie’s music a very old-school vibe, and we couldn’t be happier. This new album draws its strength mainly from the sublime lyrics it presents. Three songs in particular made me fall head over heels in admiration: “Spit You Out,” “I Know Where You Sleep,” and “Heart Sound”; they tend to evoke a feeling of losing control in the listener. Lissy Trullie’s raspy voice leads the mind to a place that feels like a glass cage where all the senses are both compressed and amplified. However, listening to all eleven of these new songs is a blessing for the ears and the mind. It is pure beauty and a skillful demonstration of what quality writing (somewhat reminiscent of Patti Smith’s poetry at times) and exceptional musical composition can create. The first single from the album was “Madeleine,” and I must say that after more than a year of waiting, I was taken aback by this song, which made me feel both happiness and melancholy. It is a song that I would recommend listening to first because it provides a very emotional experience and is very representative of the singer’s sensitivity.
Interview with Lissy Trullie: An Insight into Her World (10/08/2012)
Atanaria: Your first EP, Self-taught Learner, was brilliant. How did you prepare for this new album?
Lissy Trullie: I’m glad you liked the EP! The most important aspect of the new album was making sure I took the time and put all of my efforts into creating something I was 100% happy with. I didn’t want to rush the opportunity to grow as a musician.
Atanaria: Who are your main musical influences?
Lissy Trullie: This question is always the hardest for me. I honestly find inspiration in so many different kinds of music, so narrowing it down to one genre or artist over another feels a little dishonest.
Atanaria: What were your inspirations when composing and writing Lissy Trullie?
Lissy Trullie: Scott Walker, John Cale, Harry Nilsson, Claude Debussy, Arthur Russell, Leonard Cohen, and Micachu are some of the songwriters I look to for inspiration.
Atanaria: If you had to pick one of your songs that describes you the best, which one would it be and why?
Lissy Trullie: That’s a tough one because the entirety of the album is sort of a story. I think the most lyrically personal track is “Madeleine,” which is named after my sister and written with all the generations of women from my family in mind.
Atanaria: I can’t help but feel some Courtney Love vibes in your music. Was she an influence for you at any time in your life?
Lissy Trullie: Hahaha! I don’t think I’m tough like Courtney Love, but I definitely listened to Hole’s Live Through This growing up. It surely had some subconscious influence on me.
Atanaria: Do you consider your many modeling experiences as a career, or do you feel like music is the path you are following?
Lissy Trullie: The whole modeling thing is a misconception when it comes to my life. I had a very brief stint as a model for a year in college, but I’ve been playing music almost my entire life (I learned my first instrument when I was 11), so it’s pretty ridiculous to think modeling had any influence on my work or personal life. The most realistic path for an alternative career would be in the visual arts. I attended a specialized high school for art and continued my education, receiving two degrees from The New School University and Parsons School of Design.
Atanaria: One song on your album made me fall in love: “Spit You Out.” What is the “genesis” of this song?
Lissy Trullie: I’m very happy “Spit You Out” made you fall in love 🙂 It’s about the struggle between curbing your desires or becoming a glutton because of them.
Atanaria: How was touring with Blondie in the US?
Lissy Trullie: AMAZING!! I still can’t believe we got that opportunity. If I were to tell my younger self that we would be on tour with Blondie one day, I’m sure she’d laugh in my face.
Atanaria: You seem like a very artistic person. Is art important or essential for you?
Lissy Trullie: Art is both important and essential. There’s been nothing else I’ve understood as vitally as knowing where I should be.
Atanaria: Chloe Sevigny often appears in your video clips. Is she a close friend of yours, a muse, or both?
Lissy Trullie: Chloe is a friend, a muse, and my next-door neighbor. And she’s wonderful at all of those things. Also, FYI, Chloe is the most visible friend, but I consider all my friends to be muses.
Atanaria: What are your projects for 2012? Are you planning a new tour? Maybe a European tour?
Lissy Trullie: YES! Also, I’ve started demoing the next album.
Atanaria: All in all, who is Lissy Trullie? How would you define yourself?
Lissy Trullie: I’m a redhead.
My 2017 review of Zipper Club’s Music, Lissy Trullie’s latest band
Electro-Pop with an Edge: The Irresistible Charm of Zipper Club
Zipper Club, the Los Angeles-based trio consisting of Mason James (formerly of Cerebral Ballzy), Lissy Trullie, and drummer Damar Davis, has carved out a unique space in the indie music scene with their infectious blend of synth-pop, rock, and new wave. Their music offers a refreshing take on modern electro-pop, merging nostalgic influences with a contemporary twist that is both captivating and memorable. Seeing them last Friday at the Soho Club in London was a tantalizing experience.
From the moment you hit play, Zipper Club’s music envelops you in a rich sonic landscape that feels both familiar and innovative. Their debut single, “Going the Distance,” is a prime example of their ability to blend different eras and styles seamlessly. The track opens with a driving synth line reminiscent of 80s new wave, but it quickly evolves into something more complex and layered. The guitars are sharp and dynamic, providing an edge that contrasts beautifully with the smooth, pulsating rhythm section. Lissy Trullie’s vocals, ethereal yet commanding, glide effortlessly over the instrumentation, adding a touch of haunting allure to the track.
What sets Zipper Club apart from many of their peers is their ability to craft catchy hooks without sacrificing depth. Their songs are immediately accessible, with choruses that stick in your head after just one listen, but there’s also a richness to the production and songwriting that invites repeated plays. Tracks like “Small Town” showcase this balance perfectly. The song’s upbeat tempo and catchy melody are instantly engaging, but the lyrics tell a story of restlessness and longing that resonates on a deeper level.
A Band with a Vision
Zipper Club is not just about catchy tunes and cool vibes; there’s a clear artistic vision behind their work. Their music videos, particularly for “Going the Distance,” reflect a keen sense of style and narrative that complements their sound. The visuals are sleek and polished, yet there’s an underlying grittiness that mirrors the tension in their music—between the glossy synths and the raw, emotive vocals. This duality makes Zipper Club’s work compelling both sonically and visually.
The Perfect Blend of Light and Dark
Perhaps the most intriguing aspect of Zipper Club’s music is how it navigates the space between light and dark, joy and melancholy. There’s an inherent tension in their songs that keeps the listener engaged. Even in their most upbeat tracks, there’s a subtle undercurrent of something more serious, almost brooding, which gives their music a depth that’s often missing in the electro-pop genre. This is particularly evident in tracks like “Regrets,” where the introspective lyrics contrast with the energetic instrumentation, creating a complex emotional landscape.
Zipper Club has all the elements of a breakout band: catchy songs, a distinctive sound, and a clear artistic identity. Their music is a breath of fresh air in the indie pop scene, combining the best elements of retro and modern sounds to create something uniquely their own. As they continue to evolve and grow, Zipper Club is undoubtedly a band to watch, poised to make a significant impact on the music world. Whether you’re drawn to their infectious hooks, their stylish visuals, or their deeper lyrical content, Zipper Club offers something for everyone—a sonic journey well worth taking.
Lissy Trullie : An Everlasting Love. Please though, come back to the scene.
In the depths of a soundscape drenched in nostalgia, I find myself lost in the electric pulse of Lissy Trullie’s world. Her voice, a rare alchemy of raw edges and velvet tones, cuts through the haze of modern noise, echoing with the spirits of rock’s golden era. It’s in those retro riffs, gritty and unrefined, where I uncover the heart of her magic—a defiant whisper of rebellion and longing that stirs something ancient within me. Her lyrics, unusual and profound, weave tales of heartbreak and resilience, like forgotten love letters scrawled on the back of vinyl sleeves.
Each word she sings feels like a secret shared in the dim glow of a jukebox, heavy with the weight of experience and light with the hope of tomorrow. There’s a timeless quality to her music, a bridge between the past and present, where the ghosts of old rock gods dance with the beat of a new generation. In her, I find the perfect fusion of eras, a sound that feels like home, yet thrillingly unknown. It’s this undeniable retro rock vibe, this beautifully strange voice, that keeps me coming back—captivated, enchanted, and endlessly in love.
